PROGRAM
DATEN ARABERA PROGRAMAZIOA
PROGRAMACIÓN POR FECHAS


2012/10/5
Viernes 5 de Octubre. 19 h. dohainik gratis.
Museo de Reproducciones.
San Francisco 14 Bilbao
Cocktail. Gala inaugural. Proyección cine y video vasco experimental.

"4" 2'47. Niko Vázquez & Eva Mateos (Euskadi)

La Historia se recicla (4) veces, como las estaciones ... una rana, un niño africano, un metro y un mensaje SMS unidos por efectos colaterales.

A history is being repeated 4 times throughout a frog, an african child, an underground journey and finally a sms.

"Infragénesis" 1'40. Saray Blades (Euskadi)

35mm Animation short film

"El anhelo del cangrejo" 13'21. Khuruts Begoña (Euskadi)



Karaoke en 3 actos. (conciencia, subconciencia y fantasía).

"Dopaje español" 2'42. Jai Du (Euskadi)



Este vídeo-poema pertenece al proyecto “Extractos d'Allemande” que comenzo en enero del 2010 cuando por razones profesionales relacionadas con la fuerte crisis española tuve que desplazarme como expatriada a Alemania. Durante mi estancia allí escribí mi segundo libro, “Extractos d'Allemande”, que recoge un conjunto de poemas autobiografcos basados en mis experiencias en dicho país. El proyecto consiste en una serie de vídeo-performances inspiradas en dichos poemas. Este vídeo-performance habla de intolerancias, de límites y normas absurdas, de la robotizacion y de las connotaciones historicas de los conflictos actuales.

"Ekaitza" 4'00. Alberto Gastesi Jauregi (Euskadi)

Una fría y lluviosa mañana de invierno, él y ella se cruzan en las playas, puentes y calles de una tempestiva San Sebastián. Parecen atraerse y seguirse, pero esconden ecos de un pasado común y no resuelto...

On a cold and rainy winter morning, they run into each other at the beaches, bridges and streets of a stormy San Sebastián. It looks like they attract and follow each other, but they´re hiding echoes of a common unsolved past...

"Somos" 1'07. Diego Vivanco (Euskadi)

Acción performativa en la que por medio del video intento plasmar las diferencias de opinión y el “nadar a contracorriente” presente en nuestra sociedad. En el video se me ve andando en dirección a la cámara y al resto de los viandantes, en contra de toda posibilidad, caminando a mí alrededor marcha atrás. “Somos” como palíndromo aclaratorio del video y su temática. Al final del video digo a la cámara mi nombre con la misma función que cuando el pintor firma el cuadro

"Vortex" 3'47. Carlos Llerena Aguirre (Argentina)



Video arte que explora el tiempo congelado, stático y veloz. Desde la madrugada al anochecer hay multi-historias adentro de las noticias de la radio y de la musica popular. Paralelamente se perciben los mensajes visuales del medio ambiente urbano. Sinopsis en inglés Video art exploring time, frozen, static and in flux. From dawn to dusk there are multi-layered stories within radio news, popular songs and visual urban messages.

"Ecstasy of St. Agnes" 20'30. Slawomir J. Milewski (Poland)

"Ecstasy of St. Agnes" is a treatise on incommunicability or just the short movie about love.

"WEST: what I know about her" 19'53. Kathryn Ramey (United States)

WEST: What I know about her' is an experimental documentary about Elizabeth Crandall Perry: adventurer, midwife, proto-feminist and distant ancestor to the filmmaker. Ramey and her 5-yr old son, explore the path Perry took across the American West and film side-by-side through monuments to America

"Automata" 11'03. Matt Richards (Australia)

An eerie, black-humoured tale about Henry, the last in a long line of duck hunters. The film examines the connection between hunter and prey and obsession in the face of extinction. It posits the question 'what would happen to someone at the tipping point; the moment where they are directly responsible for the extinction of an entire species'.

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2012/10/6
Sábado 6 de Octubre 19 h. dohainik gratis.
Pulimentos del Norte.
Cortes 29-31. 6ª E. Bilbao.Tlf.: 944 159 525

"Epistolary fussilades" 18'10. David Finkelstein (USA)



"Epistolary Fusillades" is an examination of the fractured nature of contemporary thought, and the possibility of using collage to create a new coherence.

"Mum" 15'28. Ekaterina Kravtsova (Rusia)

Twenty years ago, when my mum was 51, she suffered from cancer and survived. She has never given up, even when doctors told her she almost didn’t have any chance. She believes that completely changing her diet and lifestyle saved her. I hope this film could be useful for people who also suffer from cancer — the disease of modern artificial life — and it will give all of us force to fight against this terrible disease and to make our life more connected with nature, as we are all a part of it.

"The pocket" 14'20. Louise Haugaard Jorgensen (Dinamarca)

The film deals with the ineffable substance of dreams and meticulously attempts to understand every aspect of a reoccurring dream. This dream differs from other dreams I have had in every aspect - it contains no traces of memories or ordinary content like people, monsters, landscapes or time – nothing but this exhaustingly intense texture that somehow exceeds everything I’ve ever experienced with my senses before. It seems impossible to gain any knowledge about this phenomenon inside the dream - my senses are simply futile in this context of sleep.

"My way" 1'31. Marianne Diaz (Australia)

A woman gyrates and flexes as if performing yoga. Her movements increase with abandon and the next moment we feel like we’ve interrupted her in some sort of private erotic act. My Way is a karaoke video clip which takes hostage of Frank Sinatra’s well-known song and creates a new narrative of male dominance, subjugation and sexual exploitation. The video’s duration is 2:42 minutes. It is played in a continuous loop.

"Beth, Jake, Sadie and me" 10'48. Thomas Darby (UK)

Through scrutinizing a semi-improvised conversation/performance with a sex worker across different mediums, the initial material became unstable, leaving it open to uncomfortable and changeable interpretations of gender and objectification. The conversation was recorded, transcribed into a script and read/acted by non-professional actors on camera.

"Be friends. Costume love story" 20'46. Yuki Akiyama (USA)

A is an international student in Japan who wears samurai costumes to show off what he thinks is cool and becoming it by being in it. One day, he meets an “Idol.” Idol is a Japanese girl who performs in a band and wears stage costumes in her daily life to mark her position in the subculture community to balance her originality and the sense of belonging. They share the need of love to affirm their real identity. This video seeks for the fragile friendship of the two lonely children through fantasy, pretentious fashion, and the reality.

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2012/10/7
Domingo 7 de Octubre 19 h. dohainik gratis.
Pulimentos del Norte.
Cortes 29-31. 6ª E. Bilbao.Tlf.: 944 159 525

"Val del Omar fuera de sus casillas" 5'00. César Velasco Broca (España)

Pieza experimental acerca del traslado de Laboratorio PLAT del mítico cineasta granadino José Val Omar. Una amalgama de intervenciones orientadas hacia una nueva sangre fuera del silicio.

"Butter cow" 6'28. Jun’ichiro Ishii (Taiwan)

This is a secondary creation of "Butter Cow" project that I have done in Taipei, Taiwan 2010. There are sequential steps during the creation. A reference to traditional Zen poem, "Ten Bulls", this video work presents 10 creative processes / images of a small butter-carving.

"On the materiality of the digital image #1" 4'00. Sara Santos (Portugal)

The certainty of disappearance, of the feebleness of contemporary constructs happens in the exact measure that entropy becomes effective in the realm of extra--‐human activity. Image degradation comes at the same time as the dissolution of codes and language. Objects loose their value to economy in this process of obsolescence that is another way of saying the dissolution of contractual ties between function and desire (or anticipation) by erasing large--‐spectre experiential qualities of memory.

"A story for the Modlins" 25'50. Sergio Oksman (España)

Después de aparecer en “La semilla del Diablo”, Elmer Modlin, huyó con su familia a aun país lejano y se encerró durante treinta años en un piso oscuro.

"Fresh piss" 8'35. Sean Gill (USA)

A nasty little scene, set in a cesspool. A nefarious, masked man hires two fun-loving, Thunderbird-swilling hobos to assist him in a specialized task.

"Shedding" 6'56. Alessandro Amaducci (Italia)

The look of the science. Watching and being watched. The artificial and natural world look into each other. A lab with some scientists, and the body of a woman analyzed by strange machines. The scientists are checking the brain (The dreams? The thoughts?) of the body, meeting the double of her, who’s dancing inside an amniotic ambient made by images. The experiment will give an unexpected result, the combination between science and dreams.

"Immersions" 2'49. Izabella Retkowska (Polonia)

Immersions is a project which belonges to a serie of video and graphic works called Immersions. Immersions relates directly to “immersion” phenomenon. – characteristic of a virtual reality sensation of immersion in a virtual environment. Project is a graphical variation of the image generated by a device of observing, imaging and waveform studies the relationship. Depict the mystery of the biological processes and tensions occurring in the surrounding world, the organic beauty that leads to the emergence of new forms of life.

"Família em férias" 1'10. Wayner Tristao (Brasil)

"Maybellene"  2'37. Andrew J. Stooke (UK)

The film proposes a link between the 153 misdemeanours of Dennis Oppenheim’s work, VIOLATIONS (1971-©‐1972) and the 153 recorded works of Chuck Berry. The film shows young men rolling steel hub caps, removed from classic automobiles, down a staircase in an ambiguous workshop setting to the ambient soundtrack of Berry’s Maybellene (1955). The song makes explicit the link between cars and sexuality; the film suggests a space of masculinity in the haptic manipulation of the mirrored wheel trims, the constraint of the setting, and the framing of the shots.

"Hollywood" 1'00. Khalil Charif (Brasil)

Experimental work that have the Hollywood sign as background, exploring signs from its image through a aesthetic of videogame. Part of the artist's Hollywoodian series, a research having the image as issue, in which the author investigates possible links and intersections between film and video art.

"Topsy turvy" 7'19. Mircea Bobînâ (Moldavia)

In a couple's relationship appears a quarrel because of indifference toward one another, and eventually indifference to their closest person become self indifference.

"A cuixà" 3'31. Consol Llupiá García (España)

Un monje de un monasterio benedictino explica qué es la contemplación.

"Dança dança fogo dança" 6'06. Pedro Daniel Costa Ferreira (España)

O fogo dança. Hipnóticamente o fumo dança. O fogo dança com o fumo dançante. Fire dances. Smoke dances hypnotically. Fire dances with the dancing smoke.

"Robo goblet game video" 6'10. John Pavon (USA)

Mr. Pavon Inventor, watched people play coin tossing games at a local carnival, he noticed one handicap man wanting to play the game but because of his and low to the ground vantage point he was not able to do very well. He came up with a token tossing hand held machine.

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2012/10/10
Miércoles 10 de Octubre 19 h. dohainik gratis.
Hika Ateneo. Muelle Ibeni 1. Bilbao

"Tape loading error" 2'54. Sandra Aráujo (Portugal)

Animation exploring the visual culture of video games and the spread of popular gif files. The imagery of Magritte's surrealist paintings gives a working platform for modular elements and texture, thus sharing, the action with layers that emulate lo--‐fi quality and bug / glitch images of early computer machines.

"Kids" 13'18. Nadja Verena Marcin (USA)

Nadja Verena Marcin narrates through a conceptual revision of the cult film “Kids” (New York, 1995, Larry Clark) the interaction of a group of young adults; the smooth transition between shocking rituals and its adaption as lifestyle.

"Vermin" 23'08. Adi Gelbart (Alemania)

They came here and built their organic machines from giant vegetables. But what is the purpose of these machines?

"Alive S01E02" 5'36. Margarita Athanasiou (Grecia)

ALIVE is a 5 episode experimental video series (each episode is 5 minutes long). Borrowing the format of TV shows, ALIVE is a sci-fi, existential romantic comedy following the relationship of what seems to be the last two people on Earth. The post-apocalyptic scenery is shown through a montage of found documentary footage of "empty" landscapes. Our characters are struggling to understand what happened in the world and just when things seem to start working out between them, they find out that they are not alone...

"Needle" 3'30. Jessica Cheeseman (UK)

An abstract film about how loss can transform the way someone views everyday life. Here the fabric of the earth has changed, and black holes have become a malleable substance used to attempt to suffocate pain and thwart the flow of blood to vital organs. Time shifts and slows down to the confines of living underwater - where the liquid surface is now so dense that it is possible to pierce it with a cold, sharp needle.

"Bridges part 1" 19'00. Kim Engelen (Holanda)

My ongoing project [Bridges] started in January 2012, and consists of photographs taken of me by fellow ‘tourists’ or residents on bridges all over the world where it is possible for me to travel to. For the [Bridges] series part one, the bridges where located in: Sweden, Denmark, London, Netherlands, Spain, India and USA.

"Inevitable" 3'41. Parya Vatankhah (Irán)

My goal in this video was to show how humans are such complex beings that it's very difficult to understand one's inner feelings from just the gestures on the face. This is a universal fact; someone laughs, but inside bares thousands of worries and sadness or on the contrary, one might seem sad and oppressed while from within would be mocking the situation

"The knots" 2'57. Matt Greco & Jim Cassidy (USA)

Two men at work performing non-traditional tasks. Questions gender roles and gender appropriateness within the reference frame of traditional craftworks and stereotypical pastimes.

"Kiatsu: The sound of the sky being torn" 10'44. Angus Carlyle & Rupert Cox (UK)

"Kiatsu" – sound pressure in Japanese - is a collaboration between anthropologist Rupert Cox and artist Angus Carlyle. It focuses on the last farming family living within the concrete and steel infrastructure of Japan's largest airport, Narita, where noise – of jets taxiing, taking-off and landing - exerts a constant pressure from before dawn until well after dusk. For two weeks during the sowing season and for three weeks at the harvest, Cox and Carlyle listened, watched, filmed and made audio recordings, creating a ‘soundfilm’ documenting the farmers and their environment.

"The present" 1'57. Ivana Rezek & Elma Selman (Croacia - Bosnia)

“The present” is a fragment of a public performance dealing with the issues of returning home after a great trauma. The performer slowly climbs to the top of a bridge with a heavy metal pot over her head obscuring the vision – symbolizing the heavy memories and feelings, as well as determination to stay on one´s path in spite of them. Upon reaching the top, the performer unloads this weight and offers the empty pot to the viewer as a present

 

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2012/10/14
Domingo 14 de Octubre 19 h. dohainik gratis.
Pulimentos del Norte. Cortes 29-31. 6ª E. Bilbao.
Tlf.: 944 159 525

"El tercer ojo" 9'53. Ana Serret Ituarte

Cuatro amigos viajan en coche, cuatro músicos van al estudio de grabación. Fuman y beben mientras hablan de la vida, de la suya y de la que sueñan. Sin pausa, sin fin.

Four travelling musicians, ride in a car to a recording studio. They smoke, drink and talk about life, their lives and their dreams. Non stop, no ending.

"Cockney rejects" 21'00. Steve Hines

Work consisted of two parts. Firstly the artist visited charity shops around central London collecting & purchasing discarded, unwanted artworks. He then mounted a white wall gallery exhibition of these works to give them a moment of triumph and celebration. After one week the artist locked the gallery doors and created a private, live, action for video camera. He destroyed all the artworks, to create a new installation of blank walls and a pile of broken art.

"(Sub)Version" 3'43. ReVerse Bullets

"Sub(Version)" is a visual and sonic warzone of sirens, gunshots and the pounding tension of a life dictated by government control versus the struggle for independence. Inspired by the noise-collage beat-heavy and distortion works of Public Enemy's Bomb Squad, Nine Inch Nails, and Sonic Youth, this videosong evokes the dissonance of citizens shedding the façade of complacence and middle American luxury in the face of palpable police state tension, gentrification, and shifting economies. "(Sub)Version" juxtaposes footage from Occupy Wall Street, teenage behavior educational films, late 20th Century pop films, and classic cartoons to illustrate that the enemies of one class are the enemies of all.

"2x2=5" 55'53. Danny Winkler & Emilia Loseva

Alex is alone and infinite in his role, amongst bluebells in the field, quantum theories and letters from the Queen and NASA, and all the ornaments of metaphysics. Anything he touches is transformed into art: the Bible, broken Ray-Bans, the paintings of others, furniture and the faceless walls of his council flat. By allowing Alex to play his secret Hamlet and his hidden King Lear, we explore the power of imagination and its pictorial diffusion with the empty space.

"Sound machine" 13'52. Mark Požlep & Hana S. Vodeb

Sound Machine is the first part of a trilogy of short films set in the heart of a man with an average job. Every day after work, Mr.P. makes the sound machine that would enable him to hear the kingdom of sound vibrations, such people by nature are not able to be heard. Great invention pull him from everyday life miserable, and help him to establish a different relationship with the environment in which he is increasingly alienated

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2012/10/15
Lunes 15 de Octubre 20.30 h. dohainik gratis.
Anti Liburudenda.
Dos de Mayo, 2. Bilbao

"Entrevista al cuerpo" 7'01. Lucas Fionna (Argentina)

No importa la realidad figurativa, sino lo que se esconde en ella. El cuerpo como conciencia de una lenguaje que suprime palabras y encuentra en la mecánica de los modelos la instancia pura. Argentina

"It’s so cold in Alaska" 27'01. Oscar Pereyra (México)

24 horas son suficientes para poner de cabeza la vida de Sigfrido, un punk de 30 añoscon complejo de Edipo. Su madre desaparece y su novia (Noemí), diez años menor que él, lo deja por una aventura romántica. Sigfrido recorre la ciudad en busca de respuestas que alivien su corazón.

24 hours are enough to change completely the life of Sigfrido, a 30 years punk with the Oedipus complex. His mother disappears and his girlfriend (Noemí), ten years younger than him, leaves him for a romantic adventure. Sigfrido runs through the city in search of answers to alleviate his heart.

"Le futur" 19'43. Benjamín Villaverde (España)

En un futuro ideal, la sociedad es perfecta, todo el mundo es feliz. Aunque siempre hay algún inadaptado que pretende ser como los demás. In an ideal future, society is perfect, everyone is happy. Although there is always a misfit who seeks to be like everyone else.

"La estratègia de Madame Bretó" 9'11. Zoraida Roselló Espuny (España)

Lola Bretó, una mujer que vive en una masía alejada de las nuevas tecnologías, sigue al pie de la letra, sin saberlo, las lecciones virtuales del Doctor Machuca sobre la teoria de la estratégia.

Lola Bretó, a woman living in a farmhouse far away from new technologies follows, step by step, without knowing it, the virtual lessons by Dr. Machuca on the theory of strategy

"Luminaris" 6'20. Juan Pablo Zaramella (Argentina)

En un mundo en el que la luz reina y marca el ritmo de la vida, un hombre común tiene un plan que puede cambiar el rumbo de las cosas.

In a world controlled and timed by light, an ordinary man has a plan that could change the natural order of things.

"Memorais" 6'57. Ana Rodríguez León (España)

Momentos antes de que la Tierra explote, una mujer rememora su relación con un hombre a principios del siglo XXI. Pero progresivamente se va desvaneciendo la frontera entre lo que realmente ocurrió y lo que pudo haber ocurrido. La mujer intentará encontrar alguna clase verdad.

Moments before than the Earth explodes, a woman remembers her relationship with a man at the beginning of the 21st century. But soon, the border between what really happen and what could had happen, vanishes. The woman would try to find some kind of truth.

"La prehistoria de la raza" 6'03. Fernando Giraldo Alarcón (Colombia)

A partir de un texto del líder indígena colombiano Manuel QuintínLame (1880 - 1967), una mezcla experimental de música de sanación de yagé y una mezcla de sonidos grabados con un teléfono celular, se presenta una mirada breve introductoria a la filosofía de los pueblos originarios americanos.

From a text of Colombian indigenous leader Manuel QuintínLame (1880 - 1967), a mixture of experimental music yagé healing and a mixture of sounds recorded with a cell phone, there is a brief introductory look at the philosophy of the American native peoples.

"Walking the satellites" 2'07. Kate MacDonald (Canada)

Filmed through the lens of a mobile device, Walking the Satellites examines urban solitude and the individual's increasing reliance on technology before community. In today's cities we walk satellites instead of dogs; head down, engrossed in songs and images we no longer share. Alone and never alone

"Neukölln Berlin wake up dance" 4'46. Víctor Meliveo (España)

Pies, danza, expresión, realidad, ternura y mucho ritmo. Amanece en Berlin y los sueños se ponen en marcha. Soñar despierto e imaginar un viaje, una huida… deseos. Esta pieza de videodanza nos traslada a un terreno medio entre lo mental y lo físico, lo anímico y lo tangible. El cuerpo como vía de comunicación, sin palabras, repleto de emociones y sensaciones, donde cada símbolo cobra vida y se hace material. Los sentidos y el intelecto forman uno, para poder leer una historia argumental tan abstracta como el mismo corazón humano.

Feet, dance, expression, reality, tenderness and rhythm. Sunrise at Berlin and dreams are launched. Dreaming awake and imagining a journey, an escape ... desires. This piece of video dance transfers us to a middle ground between the mental and the physical, the psychic and the tangible. The body as a means of communication without words, full of emotions and feelings, where each symbol comes alive and becomes material. The senses and intellect are one, to read a story so abstract as the human heart.

"Walking in the mind" 5'03. Julie Nymann (Dinamarca-United States)

There are memories that don’t seem to have any identification but only details. They mysteriously haunt me. I decided to recreate the scenes that seem to be projecting my unsettling emotional state and tried to walk through them. On this journey, I became a wanderer, a vagabond, and a foreigner to myself. The more I dance with a mirror with the sound of cold machines, the more I get lost in my own labyrinth.
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2012/10/16
Martes 16 de octubre 20:30h sala Ibu.Hots
Jacinto Benavente, 6
VITORIA-GASTEIZ

Programa 1

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2012/10/16
Martes 16 de Octubre 19 h. dohainik gratis.
Institut Français.
Paseo Campo Volantín 23. BILBAO

Cine y video experimental francófono.

"Crashing" 3'34. Francoise Lejeune (France)

I create machinima on Second Life mixed with Real Life’s films. I am particularly interested by movement and try to alter time by slowing down movement or repeating it. Finally, the perception of time on SL seems to be more realistic than the one on real life. Crashing is an interpretation of skating and biking movements. As Jim and I are unable to skate, Second Life becomes a place for our creativity. The end of the video is focused on skaters falling down and crashing.

"Déjà vu" 7'26. Emilio J. López López (España)

A su regreso de Marsella, Etienne no solo trae consigo el olor de una infidelidad en su ropa, sino también una adicción a la neurodroga más potente que existe: el DÉJÀ VU. La obra experimenta visualmente (montaje, color, texturas, etc.) para hablar de una relación de pareja llegando a su fin, de la incapacidad comunicativa, de la dificultad de encontrar la salida de una situación insostenible y de los recuerdos como refugio.

"Yourself is a reflection of myself" 5'25. Draga Jovanovic (Canada)

In this film, one person is shown through the two different ages of her life. The first, the younger individual, is in her twenties and the other in her sixties. In the dialogue between them, they manage to exchange their experiences whilst getting an opportunity to communicate with each other. At particular moments, the reflections of one person are infiltrated by those of the other, so that one may entirely lose the feeling of which individual has started or which individual has finished expressing her thought.

 

"Quande je serai grande je serai footballeur" 56'53. Diane Sara (France)

This is a video diary, shot between Paris, Berlin, Montreal and New York. When I'll Get Older tells the story of a young woman, trying to rebuild herself after two years of turmoil, a camera in the hand. Two years during which all the men of her live are present : parents, friends, lovers. A few men, plus a woman who disappears, on the other side of the Atlantic Ocean: Britney Spears. Yes. Britney Spears

"Une passion" 6'40. Thomas Jenkoe (France)

A dark moment of life transfigured by a smartphone.

"REM" 1'53. Florentine Grelier (France)

Dreaming… on film.

 

"Vertige" 8'48. Christophe Gautry & Mathieu Brisebras (France)

In our urban world, the system pins down people to the ground with disregard. But seen under a new angle the city becomes a new space to be rediscovered and to be reconstructed...

"Les barbares" 4'59. Jean-Gabriel Périot (France)

If politics were to come back, it could only be from its savage and disreputable fringe. Then, a muffled rumor shall arise whence that roar is heard: "We are scum! We are barbarian!" (Alain Brossat)

"Ed n’Robot. Pilot" 2'22. Thibault Joyeux (France)

Este cortometraje es una interpretación del mito del Génesis. Ed pasa los dìas cosechando las frutas en los árboles. Cuando quiso condimentar su cosecha provocó una explosión. El se da cuenta que comió mucho y le provocó vomitar y de sus entrañaas nació un segundo robot.

This short film is an interpretation of the myth of the Genesis. Ed is alone, he spends his days to pick fruits in trees. Wanting to season his harvest, he causes an explosion. He goes sick of too many provisions then vomits them. Of its entrails is born a second robot.

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2012/10/17
Miércoles 17 de Octubre 19:30h
Bar El Abuelo
Zapatería 99.
VITORIA-GASTEIZ

Programa2

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2012/10/17
Miércoles 17 de Octubre 19 h. dohainik gratis.
ExpoGela BilbaoHistoriko.
San Francisco 32. BILBAO

"Nunca te dije" 5'06. Federico Forciniti (Argentina)

Cortometraje-ensayo en tres discursos (tres textos) acerca de lo inexplicable e irreparable de la ausencia como forma incompleta de lo real en la representación del registro amoroso (diapositivas).

Short-film based on three speeches (three texts) about the inexplicable and irremediable absence as incomplete form of reality in the representation of love recording (slides).

 

"Cerdos, piñas, y otros mortales" 11'28. Toniu Xou, Patricia Martínez del Hoyo & Maria Antònia Montagut (España)

¿Alguna vez has imaginado como será tu muerte? Crónica de producción marciana sobre un día de la vida del Sr. Joan, un entrañable vividor de 87 años que espera la muerte sin miedo.

Have you ever imagined how it will be your death? Chronicle of on a day in the life of Mr. Joan, a endearing grandparent of 87 years that he waits death without fear.

"Relacions 2.0" 44'57. Eugeni Alcañiz & Mari Redondo (España)

"El increíble viaje de Pipo & Astutto" 19'17. Pipo & Astutto (España)

Tras varios años de plácida quietud. Pipo & Astutto deciden ponerse en marcha para cumplir sus sueños. A bordo de una vespa VVB con sidecar del año 1964 intentan completar un largo viaje de Madrid a Nueva York vía Lisboa. Un equipo de rodaje les acompañará en la aventura.

After several years of serene repose, Pipo & Astutto have decided to set off to fulfill their dreams. On board a Vespa VBB with a 1964 sidecar, they are intent on completing the long journey from Madrid to New York via Lisbon.

 

"Libinidis" 2'50. Rosa Peris & Mercedes Peris (España)

Un hombre y una mujer se descubren el uno al otro, quitándose la piel como acto íntimo. Ellos son interrumpidos por dos niños que, inocentemente, asisten como testigos a la Escuela del Amor. Las figuras flotan en un espacio sin gravedad donde describen trayectorias curvas y movimientos sinuosos.

A man and a woman uncover each other, taking off their skin as an intimate act. They are interrupted by two children who attend the Love School. The figures are floating in a weightless space where they describe curve trajectories and sinuous movements, generating visual continuity.
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2012/10/18
Jueves 18 de Octubre 19:30h
Escuela de Artes y Oficios
Pl. del Conde de Peñaflorida, s/n
VITORIA-GASTEIZ

Programa3

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2012/10/19
Viernes 19 de Octubre 19:30h
Escuela de Artes y Oficios
Pl. del Conde de Peñaflorida, s/n
VITORIA-GASTEIZ

Programa4

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2012/10/20
Sábado 19 de Octubre
Escuela de Artes y Oficios
Pl. del Conde de Peñaflorida, s/n
VITORIA-GASTEIZ

BIDEODROMO 2012 FINALISTAK
BIDEODROMO FINALISTS 2012
FINALISTAS BIDEODROMO 2012

GANADORA. 1ST PRIZE

“Walking in the mind” 5’03. Julie Nymann (United States)
There are memories that don’t seem to have any identification but only details. They mysteriously haunt me. I decided to recreate the scenes that seem to be projecting my unsettling emotional state and tried to walk through them.
On this journey, I became a wanderer, a vagabond, and a foreigner to myself. The more I dance with a mirror with the sound of cold machines,  the more I get lost in my own labyrinth.

SEGUNDA. SECOND PRIZE

“A story for the Modlins” 25’50. Sergio Oksman (España)
Después de aparecer en “La semilla del Diablo”, Elmer Modlin, huyó con su familia a aun país lejano y se encerró durante treinta años en un piso oscuro.

TERCERA. THIRD

“Dopaje español” 2’42. Jai Du (Euskadi)
Este vídeo-poema pertenece al proyecto “Extractos d’Allemande” que comenzo en enero del 2010 cuando por razones profesionales relacionadas con la fuerte crisis española tuve que desplazarme como expatriada a Alemania. Durante mi estancia allí escribí mi segundo libro, “Extractos d’Allemande”, que recoge un conjunto de poemas autobiografcos basados en mis experiencias en dicho país. El proyecto consiste en una serie de vídeo-performances inspiradas en dichos poemas. Este vídeo-performance habla de intolerancias, de límites y normas absurdas, de la robotizacion y de las connotaciones historicas de los conflictos actuales.

“Automata” 11’03. Matt Richards (Australia)
An eerie, black-humoured tale about Henry, the last in a long line of duck hunters. The film examines the connection between hunter and prey and obsession in the face of extinction. It posits the question ‘what would happen to someone at the tipping point; the moment where they are directly responsible for the extinction of an entire species’.

 “Vertige” 8’48. Christophe Gautry & Mathieu Brisebras (France)

 

“4” 2’47. Niko Vázquez & Eva Mateos (Euskadi)
La Historia se recicla (4) veces, como las estaciones ... una rana, un niño africano, un metro y un mensaje SMS unidos por efectos colaterales.
A history is being repeated 4 times throughout a frog, an african child, an underground journey and finally a sms.

“Needle” 3’30. Jessica Cheeseman (UK)
An abstract film about how loss can transform the way someone views everyday life. Here the fabric of the earth has changed, and black holes have become a malleable substance used to attempt to suffocate pain and thwart the flow of blood to vital organs. Time shifts and slows down to the confines of living underwater - where the liquid surface is now so dense that it is possible to pierce it with a cold, sharp needle.

“Les barbares” 4’59. Jean-Gabriel Périot (France)
If politics were to come back, it could only be from its savage and disreputable fringe. Then, a muffled rumor shall arise whence that roar is heard: “We are scum! We are barbarian!” (Alain Brossat)

“Topsy turvy” 7’19. Mircea Bobînâ (Moldavia)
In a couple’s relationship appears a quarrel because of indifference toward one another, and eventually indifference to their closest person become self indifference.

“Infragénesis” 1’40. Saray Blades (Euskadi)
35mm Animation short film

“Vermin” 23’08. Adi Gelbart (Alemania)
They came here and built their organic machines from giant vegetables. But what is the purpose of these machines?

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2012/10/24
Miércoles 24 de Octubre 19 h. dohainik gratis.
BilbaoArte
Urazurrutia 32. BILBAO

BIDEODROMO 2012 FINALISTAK
BIDEODROMO FINALISTS 2012
FINALISTAS BIDEODROMO 2012

GANADORA. 1ST PRIZE

“Walking in the mind” 5’03. Julie Nymann (United States)
There are memories that don’t seem to have any identification but only details. They mysteriously haunt me. I decided to recreate the scenes that seem to be projecting my unsettling emotional state and tried to walk through them.
On this journey, I became a wanderer, a vagabond, and a foreigner to myself. The more I dance with a mirror with the sound of cold machines,  the more I get lost in my own labyrinth.

SEGUNDA. SECOND PRIZE

“A story for the Modlins” 25’50. Sergio Oksman (España)
Después de aparecer en “La semilla del Diablo”, Elmer Modlin, huyó con su familia a aun país lejano y se encerró durante treinta años en un piso oscuro.

TERCERA. THIRD

“Dopaje español” 2’42. Jai Du (Euskadi)
Este vídeo-poema pertenece al proyecto “Extractos d’Allemande” que comenzo en enero del 2010 cuando por razones profesionales relacionadas con la fuerte crisis española tuve que desplazarme como expatriada a Alemania. Durante mi estancia allí escribí mi segundo libro, “Extractos d’Allemande”, que recoge un conjunto de poemas autobiografcos basados en mis experiencias en dicho país. El proyecto consiste en una serie de vídeo-performances inspiradas en dichos poemas. Este vídeo-performance habla de intolerancias, de límites y normas absurdas, de la robotizacion y de las connotaciones historicas de los conflictos actuales.

“Automata” 11’03. Matt Richards (Australia)
An eerie, black-humoured tale about Henry, the last in a long line of duck hunters. The film examines the connection between hunter and prey and obsession in the face of extinction. It posits the question ‘what would happen to someone at the tipping point; the moment where they are directly responsible for the extinction of an entire species’.

 “Vertige” 8’48. Christophe Gautry & Mathieu Brisebras (France)

 

“4” 2’47. Niko Vázquez & Eva Mateos (Euskadi)
La Historia se recicla (4) veces, como las estaciones ... una rana, un niño africano, un metro y un mensaje SMS unidos por efectos colaterales.
A history is being repeated 4 times throughout a frog, an african child, an underground journey and finally a sms.

“Needle” 3’30. Jessica Cheeseman (UK)
An abstract film about how loss can transform the way someone views everyday life. Here the fabric of the earth has changed, and black holes have become a malleable substance used to attempt to suffocate pain and thwart the flow of blood to vital organs. Time shifts and slows down to the confines of living underwater - where the liquid surface is now so dense that it is possible to pierce it with a cold, sharp needle.

“Les barbares” 4’59. Jean-Gabriel Périot (France)
If politics were to come back, it could only be from its savage and disreputable fringe. Then, a muffled rumor shall arise whence that roar is heard: “We are scum! We are barbarian!” (Alain Brossat)

“Topsy turvy” 7’19. Mircea Bobînâ (Moldavia)
In a couple’s relationship appears a quarrel because of indifference toward one another, and eventually indifference to their closest person become self indifference.

“Infragénesis” 1’40. Saray Blades (Euskadi)
35mm Animation short film

“Vermin” 23’08. Adi Gelbart (Alemania)
They came here and built their organic machines from giant vegetables. But what is the purpose of these machines?